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Shortly before publication, Mitchell had requested that the name of Scarlett’s kindhearted foil, Melanie, not be removed from the advertising copy—she is still there, described on the current dust jacket as “a loyal friend and true gentlewoman”—because, Mitchell avowed, “after all, she’s the heroine of the book.” (Thackeray had affixed the same label to the “gentle and uncomplaining little martyr” Amelia Sedley midway through “Vanity Fair,” in pointed distinction from another such green-eyed baggage as Mitchell’s Scarlett.) Scarlett O’Hara was enough of a public obsession and enough of a credible personality to be psychoanalyzed in learned journals, and to a psychiatrist who concluded that America’s new princess was a “partial psychopath” and a person of “inward hollowness” Mitchell responded with excited approval

formal events